Photo Archive

1958, Larry Rivers and Frank O'Hara collaborating on <em>Stones.</em> Photograph by Hans Namuth., 1958
Larry Rivers and Frank O'Hara collabora…, 1958

1961, Printer Robert Blackburn worked at ULAE From 1957 to 1962. Photograph by Hans Namuth., 1961
Printer Robert Blackburn worked at ULAE…, 1961

1963, Jasper Johns working on page 8 from his print portfolio <em> 0-9 .</em>, 1963
Jasper Johns working on page 8 from his…, 1963

1963, Fritz Glarner, working on <em>Color Drawing for Relational Painting. </em> Photograph by Hans Namuth., 1963
Fritz Glarner, working on Color Dra…, 1963

1964, Lee Bontecou working on <em>Sixth Stone</em>. Photograph by Hans Namuth., 1964
Lee Bontecou working on Sixth Stone…, 1964

1964, Helen Frankenthaler working on <em>Sky Frame</em> and <em>Solarium,</em> with printers Donn Steward and Zigmunds Priede. The edition of Lee Bontecou's <em>Sixth Stone I </em> hangs in the background. Photograph by Hans Namuth., 1964
Helen Frankenthaler working on Sky …, 1964

1965, Tatyana Grosman's husband Maurice Grosman assisting Ben Berns in printing Robert Motherwell's <em>Leonardo's Wall</em>., 1965
Tatyana Grosman's husband Maurice Grosm…, 1965

1965, James Rosenquist looking at a proof of the Circles of Confusion I., 1965"/>
James Rosenquist looking at a proof of …, 1965

1966, Jasper Johns and printer Ben Berns working on <em>Two Maps I</em>. Photograph by Ugo Mulas., 1966
Jasper Johns and printer Ben Berns work…, 1966

1967, Printer Fred Genis, master printer of lithography at ULAE for several years. Photograph by Hans Namuth., 1967
Printer Fred Genis, master printer of l…, 1967

1967, Artist Ed Schlossberg with Tatyana Grosman working on his portfolio <em>WORDS WORDS WORDS</em>. Mrs. Grosman is holding the page <em>In The Shadow</em>., 1967
Artist Ed Schlossberg with Tatyana Gros…, 1967

1968, Barnett Newman with Tatyana Grosman and printer Donn Steward working on <em>Untitled Etching #1</em>. The etching studio was downstairs from Maurice Grosman's studio (he was an artist in his own right), an edition that was built onto the house in 1967., 1968
Barnett Newman with Tatyana Grosman and…, 1968

1968, Tony Towle, poet and ULAE administrator, and Lee Bontecou signing their collaborative portfolio <em>Fifth Stone, Sixth Stone.</em> Photograph by Hans Namuth., 1968
Tony Towle, poet and ULAE administrator…, 1968

1968, Barnett and Annalee Newman having lunch in the yard at Skidmore place. The artist dedicated his lithographic portfolio <em>18 Cantos</em> to his wife, Annalee., 1968
Barnett and Annalee Newman having lunch…, 1968

1969, Tatyana Grosman examining a sheet of hand-made India paper. This unusual paper was used for Jasper John's <em>Flags</em> and <em>Targets</em>., 1969
Tatyana Grosman examining a sheet of ha…, 1969

1969, Robert Rauschenberg with Lucy Softy, ULAE's bookkeeper at this time., 1969
Robert Rauschenberg with Lucy Softy, UL…, 1969

1969, Robert Motherwell reading Rafael Alberti while working on <em>A La Pintura</em>, the portfolio is a collaboration between the American artist and Spanish poet. Photograph by Hans Namuth., 1969
Robert Motherwell reading Rafael Albert…, 1969

1969, Robert Motherwell with Tatyana Grosman., 1969
Robert Motherwell with Tatyana Grosman., 1969

1969, Robert Rauschenberg working on photosensitive stones which resulted in <em>Tides, Drifts,</em> and <em>Gulf</em> as well as three smaller works. Photograph by Hans Namuth., 1969
Robert Rauschenberg working on photosen…, 1969

1970, Printer Zigmunds Priede looking at litho stones with Tatyana Grosman. Photograph by Hans Namuth., 1970
Printer Zigmunds Priede looking at lith…, 1970

1970, Larry Rivers, Terry Southern and his son, Nile, Tatyana Grosman, and Marisol looking at early proofs of the Rivers/Southern collaboration, <em>The Donkey and the Darling</em>. Photograph by Hans Namuth., 1970
Larry Rivers, Terry Southern and his so…, 1970

1970, Larry Rivers with printer Fred Akers., 1970
Larry Rivers with printer Fred Akers., 1970

1970, Marisol beginning her work on the print <em>Catalpa Maiden Touching Herself</em>., 1970
Marisol beginning her work on the print…, 1970

1971, Tatyana Grosman, printer Ben Berns, and John Coplans, then editor of Art Forum, looking at Fritz Glarner's lithographic portfolio, <em>Recollection.</em>, 1971
Tatyana Grosman, printer Ben Berns, and…, 1971

1971, Tatyana and Maurice Grosman in the yard at Skidmore Place., 1971
Tatyana and Maurice Grosman in the yard…, 1971

1971, Robert Motherwell signing <em>A La Pintura</em> with Tatyana Grosman, printer Donn Steward and John McKendry (Curator of Prints & Photographs at the Metropolitan Museum of Art) looking on. Photograph by Renate Ponsold., 1971
Robert Motherwell signing A La Pint…, 1971

1971, Helen Frankenthaler and Tatyana Grosman., 1971
Helen Frankenthaler and Tatyana Grosman…, 1971

1971, Tatyana Grosman and Edith Janicke, her curatorial assistant for a short time, in 1971., 1971
Tatyana Grosman and Edith Janicke, her …, 1971

1972, Helen Frankenthaler and Bill Goldston working on <em>Venice II</em>., 1972
Helen Frankenthaler and Bill Goldston w…, 1972

1972, Helen Frankenthaler looking at proofs of <em>East and Beyond</em> with Tatyana Grosman and printer Juda Rosenberg at Skidmore Place., 1972
Helen Frankenthaler looking at proofs o…, 1972

1973, Printers Bill Goldston, John Lund and James V. Smith with Jasper Johns and proofs of his print <em>Cup 2 Picasso.</em>, 1973
Printers Bill Goldston, John Lund and J…, 1973

1973, Tatyana Grosman with John McKendry after receiving her honorary doctorate from Smith College in 1973., 1973
Tatyana Grosman with John McKendry afte…, 1973

1975, Claes Oldenburg working on <em>Teapot</em> at the Skidmore studio in 1975. This is Oldenburg's only edition with ULAE. Photograph by Roxanne Everett., 1975
Claes Oldenburg working on Teapot

1975, R. Buckminster Fuller and John Lund working on Fuller's <em>Tetrascroll</em>. Photograph by Edward Oleksak., 1975
R. Buckminster Fuller and John Lund wor…, 1975

1975, Tatyana Grosman and Micki (Mildred C.) Lee, a friend and ULAE's representative in the Boston area, under the Catalpa tree in the yard at Skidmore Place., 1975
Tatyana Grosman and Micki (Mildred C.) …, 1975

1976, Tatyana Grosman and Jasper Johns during the printing of <em>Corpse and Mirror</em>. Photograph by Iris Schneider., 1976
Tatyana Grosman and Jasper Johns during…, 1976

1976, Bill Goldston, Tatyana Grosman, Juda Rosenberg, Jasper Johns, and James V. Smith in front of the Union Avenue shop, where ULAE editioned from 1970-2002. Photograph by Hans Namuth., 1976
Bill Goldston, Tatyana Grosman, Juda Ro…, 1976

1977, Alexander Liberman working on a stone for the portfolio <em>Nostalgia for the Present</em> with poems by Russian poet Andrei Voznesensky. At a party in 1976 Mrs. Grosman had invited both Liberman and Voznesensky to collaborate on a book at ULAE., 1977
Alexander Liberman working on a stone f…, 1977

1977, Tatyana Grosman watches Andrei Voznesensky work on his lithograph <em>Darkness Mother, Darkness Mother</em>. Photograph by Bob Petersen., 1977
Tatyana Grosman watches Andrei Voznesen…, 1977

1977, Russian poet Andrei Voznesensky, printer Bill Goldston, and artist Robert Rauschenberg. Tatyana Grosman invited Voznesensky to the studio in West Islip in 1977 for a collaboration with Rauschenberg, when the two met they began to work immediately., 1977
Russian poet Andrei Voznesensky, printe…, 1977

1978, Tatyana Grosman, Tony Towle, Christian Gheelhaar, and James V. Smith. Geelhaar was visiting ULAE to research his book Jasper Johns: Working Proofs, published in 1979., 1978
Tatyana Grosman, Tony Towle, Christian …, 1978

1978, Trisha Garlock, from the World Print Council, with Tatyana Grosman looking at Jasper Johns' 1977 Untitled., 1978
Trisha Garlock, from the World Print Co…, 1978

1978, Printers John Lund, Craig Zamiello and H. Glenn Lee., 1978
Printers John Lund, Craig Zamiello and …, 1978

1978, Tatyana Grosman and collector John Powers. Robert Rauschenberg's <em>Shades</em> sits on a stand behind them and a proof of Jim Dine's <em>Double Apple Palette with Gingham</em> hangs on the wall., 1978
Tatyana Grosman and collector John Powe…, 1978

1978, Tatyana Grosman and Dr. E. Maurice Bloch at the Words and Images opening at UCLA. The cover of <em>Stones</em> is in the case in the foreground. All the books and portfolios published by ULAE up to that time were exhibited., 1978
Tatyana Grosman and Dr. E. Maurice Bloc…, 1978

1981, Tatyana Grosman and the Fearer family, (Joe, Eunice and daughter Jane (Mrs. Morley Safer) long time collectors and dear friends, on Januray 17th, 1981., 1981
Tatyana Grosman and the Fearer family, …, 1981

1981, Skidmore Place: Antoinette (Mrs. Grosman's aide), Bill Goldston, Tatyana Grosman, Craig Zamiello, Donna Stein, Tony Towle, Bob Voigt (ULAE's cook), John Lund, Tom Cox, James V. Smith, H. Glenn Lee, Keith Brintzenhofe., 1981
Skidmore Place: Antoinette (Mrs. Grosm…, 1981

1982, Robert Rauschenberg handing Bill Goldston a plaque of his lithograph <em>Tanya</em> at Tatyana Grosman's memorial., 1982
Robert Rauschenberg handing Bill Goldst…, 1982

1982, Robert Rauschenberg and printer John Lund at Tatyana Grosman's memorial., 1982
Robert Rauschenberg and printer John Lu…, 1982

1984, Susan Rothenberg, one of the first artists Bill Goldston invited to ULAE after Tatyana Grosman's death, during one of her first visits., 1984
Susan Rothenberg, one of the first arti…, 1984

1987, Carroll Dunham with printer Keith Brintzenhofe working on Dunham's first portfolio, <em>Red Shift</em>, at ULAE's Watts Street Studio in Manhattan, NY., 1987
Carroll Dunham with printer Keith Brint…, 1987

1987, Printer Doug Volle at the press., 1987
Printer Doug Volle at the press., 1987

1988, Elizabeth Murray working on <em>Up Dog and Down Dog</em>. Photograph by Lorena Salcedo-Watson., 1988
Elizabeth Murray working on Up Dog …, 1988

1990, Terry Winters and printer Keith Brintzenhofe working on <em>Section</em>., 1990
Terry Winters and printer Keith Brintze…, 1990

1991, John Lund working on Kiki Smith's <em>Puppet</em>., 1991
John Lund working on Kiki Smith's P…, 1991

1991, Kiki Smith drawing on a copper plate for <em>Sueno</em>. Photograph by Jo Fielder., 1991
Kiki Smith drawing on a copper plate fo…, 1991

1995, Elizabeth Murray working her mezzotint over monotype, <em>Lovers</em>. Photograph by Lorena Salcedo-Watson., 1995
Elizabeth Murray working her mezzotint …, 1995

1996, Julian Lethbridge working with Doug Volle., 1996
Julian Lethbridge working with Doug Vol…, 1996

1996, Bill Jensen working on <em>Lurisia</em>. Photograph by Craig Zammiello., 1996
Bill Jensen working on Lurisia…, 1996

1996, Jane Hammond working on <em>The Wonderfulness of Downtown</em> with Bill Goldston. Photograph by Jo Fielder., 1996
Jane Hammond working on The Wonderf…, 1996

1996, Suzanne McClelland signing <em>Tea Leaves</em>., 1996
Suzanne McClelland signing Tea Leav…, 1996

1997, Poet Mei Mei Berssenbrugge and artist Kiki Smith working on <em>Endocrinology</em>, a collaboration. Photograph by Maggie Trakas., 1997
Poet Mei Mei Berssenbrugge and artist K…, 1997

1997, Poet Mei Mei Berssenbrugge working on <em>Endocrinology</em>, a collaboration with Kiki Smith. Photograph by Craig Zammiello., 1997
Poet Mei Mei Berssenbrugge working on <…, 1997

1999, Cecily Brown working with printer Doug Bennett., 1999
Cecily Brown working with printer Doug …, 1999

2000, Frank D'Agostino, ULAE's handler and technical advisor in the shop., 2000
Frank D'Agostino, ULAE's handler and te…, 2000

2000, Kiki Smith drawing for <em>Born</em>, a proof of which hangs in the background. Photograph by Maggie Trakas., 2000
Kiki Smith drawing for Born, a…, 2000

2001, Printer Lorena Salcedo-Watson working on Elizabeth Murray's <em>Jazz</em>. Printers Bruce Wankel and Doug Volle print in the background., 2001
Printer Lorena Salcedo-Watson working o…, 2001

2002, Richard Tuttle with his series <em>Light On Water</em>., 2002
Richard Tuttle with his series Ligh…, 2002

2002, Printers Bruce Wankel and Doug Volle working on Kiki Smith's <em>Born</em>., 2002
Printers Bruce Wankel and Doug Volle wo…, 2002

2002, Printer Brian Berry., 2002
Printer Brian Berry., 2002

2002, Printer Bruce Wankel working on Kiki Smith's <em>Out of the Woods</em>., 2002
Printer Bruce Wankel working on Kiki Sm…, 2002

2002, Robert Rauschenberg's Ford at ULAE's 45th Anniversary party., 2002
Robert Rauschenberg's Ford at ULAE's 45…, 2002

2003, Orly Genger during her first visit to ULAE. Genger was introduced to the print shop by Larissa Goldston., 2003
Orly Genger during her first visit to U…, 2003

2004, Joey Kotting in 2004 working on his monotypes with printer Doug Bennett., 2004
Joey Kotting in 2004 working on his mon…, 2004

2006, Bill Goldston, Jason Miller, and James Siena looking at his print <em>Tanagra </em>., 2006
Bill Goldston, Jason Miller, and James …, 2006

2007, Lisa Yuskavage working on <em>Forces</em>. Photograph by Steve Schapiro, 2007
Lisa Yuskavage working on Forces

2007, The Skidmore Place studio today during the making of Lisa Yuskavage's <em>Forces</em>., 2007
The Skidmore Place studio today during …, 2007

2007, The studio today in Bay Shore, NY., 2007
The studio today in Bay Shore, NY., 2007

c. 1968, Jim Dine in the yard at Skidmore Place., c. 1968
Jim Dine in the yard at Skidmore Place., c. 1968

c. 1968, Printer Donn Steward in the yard at Skidmore Place., c. 1968
Printer Donn Steward in the yard at Ski…, c. 1968

c. 1975, R. Buckminster Fuller and Tatyana Grosman. Photograph by Edward Oleksak., c. 1975
R. Buckminster Fuller and Tatyana Grosm…, c. 1975

c. 1991, Craig Zammiello working on Kiki Smith's <em>Sueno</em>., c. 1991
Craig Zammiello working on Kiki Smith's…, c. 1991